Arco premiered this week in France, and although Natalie has taken a few days off after attending the Lumière Film Festival, interviews and articles about the film continue to appear, such as this one from Paris Match with director Ugo Bienvenu. The article is accompanied by a short photoshoot by Dorian Prost:
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Black Swan will soon celebrate its 15th anniversary since its Venice Film Festival premiere, and to commemorate the event, the film will be shown in around 200 IMAX theaters across the U.S. on August 21 and 24. As part of the celebration, Vogue interviewed Natalie Portman, Mila Kunis, and director Darren Aronofsky about their memories of the shoot and the film itself. The article features some stills from the film, as well as a couple of new photos we haven’t seen before, like this outtake from the “Swan Lake” poster that Nina plays in the film:
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In the end, May December did not have the awards season run that Natalie’s fans would have hoped for, but the good critical reception of the film directed by Todd Haynes has materialized in articles like this one from The Wrap, in which Natalie and Julianne reflect about the film in an interesting interview conducted at the end of November and published today. The article also contains beautiful photos taken by Marilyn Minter:
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Liberation newspaper has an article-interview with Natalie on the occasion of the release of May December in France. Unfortunately it is an article for subscribers, but we can see the photoshoot that accompanies it:
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Natalie and Christine Vachon are part of THR’s Producer Roundtable, published today in The Hollywood Reporter, along with other producers of awards season films, including George C. Wolfe (‘Rustin’), Tom Ackerley (‘Barbie’ ), Scott Sanders (‘The Color Purple’) and Ed Guiney (‘Poor Things’), They discuss in the conversation the challenges and concerns faced in the industry today when making a movie:
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The Los Angeles Times has published an article/interview with Natalie and Julianne Moore about May December today, in which they reflect on the idea of having two key female roles in a film, and many more. The link (and the accompanying photo) are after the jump:
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